Accepted at ISMIR 2026
We present BARS (Beat-Adaptive Rap Synthesis), a non-autoregressive rapping voice generation model based on Flow Matching, conditioned on a beat track (instrumental backing), lyrics, and a short reference voice for zero-shot timbre control. Unlike prior autoregressive rap synthesis, where rap pace and output duration are strictly determined by the beat, BARS enables independent control over the rap tempo, allowing flexible-length generation without explicit duration prediction or phoneme-level alignment.
We encode lyrics using a pretrained ByT5 encoder with a lightweight Transformer adapter trained jointly with the model, without relying on speech-pretrained text encoders, enabling natural handling of non-standard orthography (e.g., slang, abbreviations) and numerals common in rap lyrics.
To address alignment instabilities, such as token skipping or repetition, under strong beat conditioning, we propose Asymmetric Scaled RoPE for cross-attention, which introduces a positional structure to facilitate sequential lyric-audio alignment learning. Furthermore, the model supports partial re-generation via span masking, enabling lyric-level editing while preserving the surrounding vocal style.
Experiments demonstrate that the proposed model achieves high lyric fidelity, natural rap flow that is rhythmically coherent with the beat, and robust tempo control across a wide range of rapping styles and speeds.
| 📝 Lyrics |
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Zero-shot timbre, your voice from a clip, powerful tech but we gotta stay legit. Built for the artists, the grinders, the craft, not for misuse — we thought about that. Explicit consent — that's the golden accord, unauthorized synthesis? Put down the sword. The tech is powerful, use it with care, BARS is a tool — respect whose voice is there. |
| 🎤 Reference Voice | 🎵 BARS |
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Female
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Male
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Female2
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Child (Female)
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Donald Trump
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Pikachu (Character Voice)
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Speed is controlled by trimming the length of the input beat track: a shorter beat forces a faster rap flow to fit the same lyrics, while a longer beat produces a slower flow.
This section is a preliminary showcase and not part of the main paper contributions.
| 🌍 Language | 📝 Lyrics | 🎵 Audio |
|---|---|---|
| Spanish |
Subiendo sobre el flow multilingüe sin freno Brilla ByT5 dentro del modelo BARS pleno Encoder de texto, rompe toda barrera Rimas del otro lado del mundo en una sola esfera Aunque cambie el idioma, el flow es uno En el mundo de datos el rap es común BARS + encoder escupe el futuro en acción Generación multilingüe, esa es la conexión |
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| Russian |
По мультиязычному флоу мы вверх летим Внутри BARS-модели ByT5, скрытый ритм Текстовый энкодер рушит языковую стену Рифмы с другой стороны мира входят в сцену Языки разные, но флоу один всегда В мире данных рэп объединяет слова BARS плюс энкодер — будущее в спит Мультиязычная генерация — настоящий хит |
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| Korean |
멀티랭귀지 위를 타고 올라가는 flow BARS 모델 속에 숨은 ByT5 glow 텍스트 인코더, 언어 벽을 깨 지구 반대편 라임도 한 번에 채 언어는 달라도 flow는 하나 데이터 속 세계가 랩으로 하나 Bars + encoder, 미래를 spit 다국어 랩 생성, that's the legit hit |
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| French |
Dans le flow multilingue on s’élève sans arrêt BARS ByT5, lumière calibrée L’encodeur brise les murs, fusion des langues Des rimes du monde entier qui s’entrechoquent Les langues changent mais le groove reste un Dans les datas le rap devient commun BARS dans le système, futur en direct Multilingual flow, vibe plus que parfaite |
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| Japanese |
マルチリンガルの上を駆け上がるフロー BARSモデルの中に潜むByT5のグロウ テキストエンコーダー、言語の壁をブレイク 地球の反対側のライムも一瞬でメイク 言語は違ってもフローはひとつ データの世界でラップはひとつ BARS + エンコーダー、未来をスピット 多言語ラップ生成、それがリアルヒット |
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| Italian |
Sul flow multilingue senza paura BARS è il modello, ByT5 la struttura Encoder di testo rompe il confine E rime dal mondo intero arrivano infine Lingue diverse, ma il flow è uno solo Nel mondo dei dati il rap è il polo. BARS + encoder, il futuro è in track. Generazione globale, questo è un fact |
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| Persian |
یه روز خوب میاد که ما هم رو نکشیم به هم نگاه بد نکنیم با هم دوست باشیم و دست بندازیم رو شونههای هم آها، مثل بچگیها تو دبستان هیجکدوممون هم نیستیم بیکار در حال ساخت و ساز ایران
Excerpt from "Ye Rooze Khoob Miad" by Hichkas
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